seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
[personal profile] seekingferret
Oy to the World

I did not have high expectations for this year's Hallmark Hannukah movie and this about lived up to my expectations.

When Jake, Rabbi's son, and Nikki, Reverend's daughter, were teenagers, they were inseparable best friends, until high school academics made them rivals and brought out a dysregulated competitive streak in both that ruptured the friendship.

As grownups, they both seem to live stunted lives. Nicki appears to have zero adult friends and works at her father's small church as children's choir director. Jake has spent 20 years playing tiny NYC rock clubs and chasing a label signing (in 2025!) and refusing to visit his henpecking mother.

When the temple has a fire the week before Hannukah, the church invites their Jewish neighbors to make use of the church space to celebrate Hanukkah. This soon bizarrely evolves into a joint Chrismukkah with combined sermon ("Both Hanukkah and Christmas are about love," natch) and combined choir concert, as Jake and Nikki are guilted and manipulated into co-choir directing by their pandering parents.

The Chrismukkah merger is eerily frictionless. The movie is not at all interested in interrogating the reasons why Hanukkah and Christmas are distinct observances or exploring how Jewish people and Christian people are different and approach the world differently. Religion is represented as a sort of universal fiber, with the different versions no different than a comic book with variant covers.

This lack of friction extends to the film's romantic chemistry. Jake Epstein and Brooke D'Orsay are charming actors and it's clear that their characters like each other, but because all their seeming differences resolve so simply, we don't see their relationship really deepen. Everyone in both families is on board with intermarriage, nobody discusses what religion future children will be raised in, everything is just easy. At worst, Nikki is briefly confronted at dinner eith the fact that if she marries Jake, her mother in law will be the worst version of a stereotypical Jewish mother in law, but this is quickly papered over. Even the inevitable, overforeshadowed moment where Jake has to miss the concert to go back to New York and meet with a label is resolved without any argument, and doesn't actually force Jake to compromise. Surprise! Turns out he can make it to the concert after all, without missing his meeting.

Hallmark really fooled us with Round and Round. The past two years have been a reversion to the nonsense we used to get in Hallmark Hanukkah movies. I will continue to watch them, of course, but I am back to watching them with gritted teeth.

(no subject)

Date: 2025-12-16 06:42 pm (UTC)
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
From: [personal profile] sanguinity
We'd heard grim things about this year's offering, and were looking forward to your review, if any. I'm sorry you had to sit through that.

Round and Round was great. I've been considering rewatching it this year.

"dysregulated competitive streak" is a wonderful phrase and sums up so much of my lifelong struggles with party games. (Happily, I've learned some regulatory skills over the decades? But in the usual run of things, party games are still more stressful than fun.)

(no subject)

Date: 2025-12-16 07:44 pm (UTC)
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
From: [personal profile] sanguinity
Hurrah!

Did I ever tell you that Jews dance in Angels in America? I meant to, but cannot remember if I did or not.

(no subject)

Date: 2025-12-16 11:34 pm (UTC)
primeideal: Luke Skywalker and Darth Vader duelling (luke)
From: [personal profile] primeideal
The Chrismukkah merger is eerily frictionless. The movie is not at all interested in interrogating the reasons why Hanukkah and Christmas are distinct observances or exploring how Jewish people and Christian people are different and approach the world differently. Religion is represented as a sort of universal fiber, with the different versions no different than a comic book with variant covers.

I feel like this is pretty par for the course for a lot of secular Christmas Pop Culture Content, but for a movie about a rabbi and a pastor's kids, that seems...very underwhelming. :/

(no subject)

Date: 2025-12-17 07:10 am (UTC)
roga: coffee mug with chocolate cubes (Default)
From: [personal profile] roga
The part I liked about this movie was the utopic support, cooperation and friendliness between the two congregations - everyone being BFFs and helping each other out - there's something cool about that as a vision. And then came "Hanukkah is about love" - lol IS IT - and perhaps this whole thing can work if we treat Christmas and Hanukkah as generic holidays based on mostly aesthetics.

It definitely wasn't Round and Round, but I too will continue watching this genre pretty much as long as they keep making it.

(no subject)

Date: 2025-12-22 01:10 pm (UTC)
lokifan: black Converse against a black background (Default)
From: [personal profile] lokifan
The Chrismukkah merger is eerily frictionless. The movie is not at all interested in interrogating the reasons why Hanukkah and Christmas are distinct observances or exploring how Jewish people and Christian people are different and approach the world differently. Religion is represented as a sort of universal fiber, with the different versions no different than a comic book with variant covers.

Why would you write a film with this premise if you don't care at ALL about the differences?!

(I mean, obviously because it's a 'Hannukah' movie that cares not at all about its Jewish audience. But ffs.)

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