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A bunch of friends are in Glasgow right now and I miss y'all. I had hoped to be there, but unfortunately with the new job and an unluckily weekday heavy Jewish holiday schedule this year, I couldn't justify the vacation time to go to Worldcon. But I've been attending virtually where I can, and volunteering online as well.

I am sitting at my desk half-watching the Hugos and half working on clipping panel videos so they can be posted for later rewatch- finishing up my last shift of the con. The breadth of Glasgow Worldcon's programming is tremendous and the hard work they've put in to making it work in a substantially hybrid way is incredibly impressive, tech glitches and all.

Hopefully I will make it to Seattle next year!
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I've written several times about how much I love Ann and Jeff Vandermeer's The Kosher Guide to Imaginary Animals. But also my wish that it were more detailed in its halachic analysis. I've said I wanted to write a commentary for years, but I hadn't gotten very far in that work beyond doing background Talmud and Torah study.

WOOF is the Worldcon APA (Amateur Press Association), a style of fanzine where writers writer whatever they want and print enough copies to distribute to all the other contributors. An editor then collates all the contributions and sends them out to everyone who participated. When I saw the announcement this year I decided to use it as motivation to really start the project. I wrote some analysis for all of the animals in the Imaginary Guide that begin with the letter A. Then I typeset the thing in LaTeX and submitted it for WOOF. My first ever fanzine contribution!

My goal is still to complete a commentary on the whole book, but that will take time and energy, better to do it in little chunks. I'm really pleased with what I do have, the writing feels tonally appropriate and gets at a whole array of different halachic concepts beyond what people usually talk about when they talk about these kinds of questions.

The official WOOF version will be up on the web at... some point? But you can read Sefer Chayot Agadiyot Volume 1 from this google drive link.
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Working as a Runner at Worldcon was my first experience being Mask Police. I had mixed feelings about it; I have already written here about my ambivalence about masking as a COVID mitigation strategy: I'm not convinced by the evidence that it has much impact, compared to vaccination, testing, therapeutics, distancing and other mitigation strategies, but I'm not unconvinced enough to stop wearing it in indoor spaces, so I am still consistently masking in indoor spaces. In any case, even if I were an enthusiastic mask supporter, it's never fun to go around telling people to do things they don't want to do.

Chicon had, by report, 3,574 warm bodies attending. It required proof of vaccination at registration and required masking at all times in all con spaces with the exception of one area of the con suite that was for unmasked eating, and with the exception of brief mask removals for drinking liquids in hallways. And I would say that in my observation, 95% of the time, people held by those rules. But there were also hotel staff, hotel visitors, residents of the attached apartment building... and none of them were required to wear masks. And everyone was free to unmask when they were off con premises. So the policy was inherently limited in effect.

The remaining 5% of the time, among con members, was my problem. I'm not a very confrontational person in real life, I save my troll energy for the internet. I tried to be polite but present it as a fait accompli that they were in the wrong. My standard phrase was "Excuse me, could I please ask you to put your mask back on?" 'Back on', implying, of course, that they had previously had it on, which wasn't always the case. But by saying 'back on', I was treating them as if we were in a world where of course they knew that they needed to be wearing a mask, I wasn't going to be taking any argument on that point.

Most of this was people who had just come from outside or their hotel room and had simply forgotten to put their mask on. These people were easy to deal with, I asked them to put their mask back on, they said of course, and they put it back on. On the first day I also dealt with a few people who somehow hadn't realized that Chicon had a mask requirement, or at least disingenuously claimed that they hadn't realized. I guided a few of them to the Ops office where we gave them a mask and told them they would need to provide masks for the rest of the con and all seemed well from that point on; One person yelled at me and then ran away before I could take his badge number down, but it's possible he really was just confused, I guess.

My biggest problem was with people who circumvented the intent of the drinking rule by carrying a drink with them and periodically taking a sip as they walked. That itself was a violation of the policy, but it was difficult to confront these people, because they were generally moving and I had to make a calculation about whether by the time I reached them they would have put their mask back on and wasted my time. In theory I could have reported them to Ops for the violation anyway, but we were trying to operate in a mode of asking for cooperation rather than being punitive, especially with first time violators. And tie this in to my general skepticism of masks: If someone was blatantly in violation of the policy I would stop them, but in gray areas I would wonder how much of a difference it made, and I'd be willing to let things slide a bit if it seemed likely they'd be putting their mask back on pretty soon and save me a confrontation.

I also walked past a Table Talk where the author, a venerable and much beloved figure in our community, was unmasked and all the attendees were masked. I paused for a moment but ultimately let it slide. I figured everyone there knew what they were doing, if they wanted to kill one of the most famous writers in SFF and he was willing to die, let it be; I didn't want to be the one to yell at him. Maybe that's a failure on my part.


So far, Chicon has reported 41 COVID positives, with the number likely to increase over the next few days but probably not massively. That is slightly over 1% of the attending population. That's... not so great! Then again, everyone at the convention was fully vaccinated so the risk of serious harm from a 1% positive rate ought to be down fairly low. I think if I had known going in that I had a roughly 2% chance of getting COVID from the con, I still would have gone. All of these risk assessments are so hard to make. It's hard to know if 2% is a good number or a bad number- most of the cons that aren't as diligent about requiring masks are also not as diligent about receiving and retransmitting positive rest reports- there are stories coming out of Dragon*Con that they dropped the mask mandate halfway through the con because they didn't have the manpower or equipment to enforce it (which is horrifying from a operations point of view even aside from the public health side of it), but I haven't seen any stats on COVID rates at Dragon*Con and am not sure there will be any made public. Discon had a final positivity rate of 1.13%. Balticon had something like a half percent.

*shrug* I dunno.


EDIT: Final report has it at 60 cases.

Worldcon!

Sep. 5th, 2022 10:03 pm
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My outgoing travel was easier than I expected, though I busted my suitcase shlepping it down the stairs from the El, so that is annoying.

Thursday I picked up some groceries, then grabbed my badge and started a shift as an Ops runner, which meant wandering around the con being a Visible Person on Staff and answering questions about where things are and seeing if any problems were cropping up. It also meant being Mask Police, about which I have complicated feelings, but nearly everyone I talked to had no problem putting a mask on when asked politely.

After that, I had a quick lunch and then did my first panel, which was the one about lab safety. I think it went well, we had a good mix of panelists with lots of stories about safety incidents, and we had an audience full of even more good stories they were happy to share.

Then I did another Ops shift, then caught the tail end of a panel about how to balance how much science belongs in an SFF story. Then I took an ebike up to North Chicago and picked up dinner from the southernmost kosher restaurant in Chicago, then headed back down and ate and then slept.

Friday morning I had an early Ops shift. I caught some of the business meeting, then had my second panel, on fanfic skills not related to writing, which was a little uneven but I think on the whole successful. My co-panelists were Foz Meadows and Seanan McGuire, so honestly I didn't really need to do the heavy lifting.

Then I ran my 5E D&D game "Carting Wars", inspired by the delightfully terrible reality TV show Shipping Wars, which I had a lot of fun doing. There's probably another post brewing about the style of rpg oneshot that Carting Wars and Zoo Adventure comprise, which I would like to see more of. One of the players afterward told me that he hadn't expected it to be fun when I first laid out the premise, but by the end he was totally into it, and I think indeed there is something extremely counterintuitive about adventures where logistics are the plot hooks, but it makes for a very satisfying convention game IMO.

Afterward I took a break from the con for awhile, then rejoined things for Friday night services (Nusach Arisia) followed by a kiddush organized by one of the attendees. I stayed there for a few hours shmoozing about Judaism and fandom before dinner and sleep.

Saturday I didn't have any program or ops responsibilities so I actually could enjoy the con. I went to the business meeting in the morning, then in the afternoon I camped out in the panel rooms for a while, for panels on Libraries in SFF, Hopepunk, and Silkpunk. After grabbing a quick dinner I then left the con and went to the Chicago Jazz Festival, free concerts in Millennium Park. I saw Carmen Lundy and then the first part of the William Parker Quintet's show. I actually saw William Parker play the Stone fifteen or so years ago, it was cool to see him again in a wildly different venue. I preferred the show at the Stone, though.

I returned to the con for trivia, which was brutally difficult in a fun and satisfying way- I got 36/90 and that only put me about six or seven questions off from the winner. Afterward I popped up to the party floors for the first time and talked to some people, but I wasn't super into it so I went back down to go to sleep. But people were playing SET in the hallway so I asked if I could jump in and we played a bunch of SET then instead. Every time we exhausted the deck I was like "Okay, I should go to sleep" and they were like "One more game?" Eventually I did manage to sleep.

Sunday was off the charts busy. I went to program ops at nine to print out crosswords, then co-ran the crossword meetup at 10. It was smaller than I'd hoped but a lot of fun, I solved Matt Gaffney and most of the Sunday Times, and we all talked as we solved about favorite puzzles and styles of clues and weird word things. I introduced someone to the Eggcorn database!

I ran down to the Fanzine lounge because they were doing WOOF collation and I for the first time decided to submit a contribution. More about that in another post. Then I went to the FFA meetup for about fifteen minutes before I had to go get ready for my second rpg.

I ran a Dungeon World game with the setting inspired by Piranesi's Carceri D'invenzione- not particularly by Susannah Clarke's take on the Carceri, just the artwork itself. The players were all new to Dungeon World new to Carceri and I am not so experienced as a Dungeon World DM, but I think it was well-suited and we had a good time. I had to prompt some players a bit to get them used to the Dungeon World style of taking ownership of your characters' actions, but every player got to have moments of badass and moments of struggle to overcome, so I feel good about it.

After my game, I only had half an hour before my last panel of the con, on Jewish Spaces in SFF. It wasn't a huge crowd but I think it was the panel where the conversation had the best and most satisfying flow and I was really glad to have the panel. I got to rant about my pet peeves about the MCU, everyone else got to rant about their pet peeves, it was a good time.

Then I got confused and went to my Ops shift an hour early, which was probably a good thing for Ops because prep for the lines to go into the Hugo Awards was starting and they needed all the help they could get. I'd originally intended to just work the before the Hugos line, but after surviving the chaos of that line situation I got sucked in and ended up watching the Hugos from Ops HQ and helping to direct people out of the Hugos as well. Afterward I was worn out and didn't do any of the post-Hugos stuff. But being in Ops for the Hugos was a fascinating perspective on the event and it was really rewarding. I've volunteered for cons before but never in such a public-facing way. It felt good to help people and be able to visibly see that their con experience was better for my help.

Monday I packed up and had a last Ops shift. As the con wound down, I headed over to the hotel near Midway I'm staying at while I take care of some business in Chicago tomorrow. I'm reading a bit of the latest Dresden Files book, I'm more into this one than I've been to recent past ones.


Scenes from a Worldcon

-I overheard a young woman, late teens or early twenties, holding her badge streaming down with ribbons and telling her friend "I don't know why, but for some reason these ribbons really solidify my geek cred." It was such a small moment but it delighted me. I know I bang on this almost every time I write a Worldcon post, but fuck "the greying of fandom" nonsense, what is delightful about Worldcon is so many people at so many different points in their fannish journey and we're all coming together to encourage each other to be our most authentic geek self.

-Seanan McGuire tells us she's read an advance copy of Naomi Novik's The Golden Enclaves and it is so good that it made her want to send birds to peck Novik's liver.

-I got to kick GOH Steven Barnes out of a panel room! Because he was running the previous program item before my crossword meetup and he'd run long and I needed the room, but still, I got to kick Steven Barnes out of a panel room and nobody can take that away from me.

-I want to mention this, even though I'm not entirely sure what it means. But wearing a yarmulke in Chicago, I got a lot more comments than I'm used to just walking on the street, mostly creepy philosemitism but also some legitimately nasty language. I've been to Chicago before without experiencing that, and certainly it's not like I don't sometimes encounter anti-semitism in New Jersey, but... it felt like a lot and it made me feel a little nervous.

But on the other hand, being at the con was a generally satisfying and enjoyable experience Jewishly, between the panel and the various Shabbos activities, so that balanced things out for me.
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Oops! Lab Disasters and What We Learn from Them- Thursday September 1st- 1PM CDT

Fanfic Skills Beyond Writing - Friday September 2nd - 11:30AM CDT

Dungeons & Dragons One-Shot—Friday - Friday September 2nd - 2PM CDT

Sunday Morning Crossword Solvers - Sunday September 4th - 10 AM CDT

Dungeon World - Sunday September 4th - 12 PM CDT

Jewish Spaces in Movies and TV - Sunday September 4th - 4PM CDT


I feel like this represents a nice cross-section of all the ways in which I am a nerd.
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[community profile] fanworks is this weekend. I am very excited.

I will be modding two panels, "Ethical Norms in FanWorks Fandom" and "Does the Editor Make the Vidder?". The former is an idea I developed for DisCon that, um, was redeveloped after I stopped working on DisCon into something I was less happy with, so I'm excited to get a chance to do a panel closer to my original concept. The latter is something I tossed out as a suggestion at the last minute, I don't entirely know what I'm doing.

I will also be premiering 3 vids, two of which I'm extremely proud of and the other which I think is fun but unexceptional. And I'm so excited to see everyone else's premieres.



I've also received my preliminary schedule for Worldcon. It may change still but will hopefully be solid and announceable soon. I'm really excited about all of it, though I may have agreed to do too many things, between panels and rpgs. I've also started toying with seeing if I can put together something to include in this year's WOOF.

Discon 3

Dec. 21st, 2021 11:15 am
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DisCon 3 was great fun, but I also heard a few people use the word bittersweet. Many of us had a deep, aching sense of what the Con could have been, of all the people who weren't there, of all the ideas that hadn't been executed. And we were aware that the world is not right at the moment, and that coming to the convention constituted a risk that might still prove to have been unjustified. But I got to see a lot of friends for the first time in ages, and I met amazing new people, and I really felt the joy and creativity of the SFF community.

I got to meet [personal profile] primeideal in person for the first time and we solved a couple of cryptic crosswords together, after solving a number of them together online over the course of the past two years. That was really cool, especially since way more of my brain has been in puzzles lately than in SF fandom. And I got to spend a lot of quality time with [personal profile] freeradical42, which was so good to have- this is only the second time I've seen them in person since 2019, and the internet doesn't do very good hugs. I also very briefly saw [personal profile] ambyr.

As someone who worked as low level staff on program brainstorming, I'm extremely proud of the program that resulted, but I also wish more of the work we did could have been used. We had so many great program ideas that didn't make it past development because of limits on space and staff and panelists. I'm looking forward to watching more of the program, a good portion of which was recorded and will shortly be available for members to watch online for a few weeks. When I signed up it was with the goal of producing fanworks programming that a) did not waste time justifying the existence of fanfiction and b) was more extensive than it's been in past years, offering more cool stuff to fans of fanworks at Worldcon. We succeeded at the first task, but because of space limitations, not the second. I hope future Worldcons will do better than we did.

Favorite program stuff included plotting a better Fantastic Four movie, the Orphan Black panel, the Washington Metro Gamer Symphony Orchestra concert, and a presentation by Katie Mack on going to Mars. I also really enjoyed a conversation I got into with some other audience members after the panel on fantasy animal morphology. The question they asked was about how the existence of a Creator in a fantasy world changed what was possible for fantasy animal plausibility. The panelists kind of dismissed it, but I thought it was such an interesting question because sure you can say Yes, God can create a burrito so big He can't eat it, but, like... any theogony is going to have its own constraints on internal consistency. Gods have motivation as well as intelligence, the question you have to ask is no longer "Will this creature fit within a world with a square-cube law" but rather "Will this creature fit in a world where the God-Creator is invested in the salvation of their worshipers?" or "Will this creature fit in a world where the God-Creator is a war deity?" It led to a really interesting conversation about the place of Creation in fantasy worldbuilding.

The Hugos had a weird accident that led to them being postponed an hour, but when they actually happened the ceremony was great aside from some small technical glitches and a weirdly executed memorial scroll. It felt like it was supposed to, a celebration of the genre's best this year, an affirmation of forward progress, and I was so glad to be there. There were a lot of, just, really moving speeches from winners. We've all been through a lot the past few years, it was nice to celebrate something good for once.

After the Hugos, I had a fanvid watching party in my hotel room, which was a fascinating experience. I had some visitors who knew what vids were and were there to enjoy them, but most of my visitors had no idea what a vid was. Some of them had no interest in learning and ran away after a minute of blank stares and seeing I didn't have much in the way of food, some stayed and watched some vids, although I'm not entirely clear if they understood the idea any more after their visit. I had one woman who was probably in her late 60s or 70s who sat down, watched three or four vids without saying a word or moving her head from staring at the screen, and then left. Around 2AM a couple of big youtubers showed up and we got drunk and I made them watch [personal profile] sisabet's "This Is the Song That Never Ends", the 30 minute Supernatural vid. All of it. Oh man, if watching that on its own were an experience, watching other people see it for the first time and get alternately confused and angry and amazed and singing along with the choruses and then shouting for it to be shut off was amazing and surreal. I may be a bad person.

I missed some DC friends and family I'd intended to catch, but I did drive over to see a couple of people on the way out. On the whole, driving down to DC was a mistake. Parking was such a nightmare that it cost me hours anytime I actually used my car. But I was grateful it gave us access to better Shabbos food, and the ability to stop and see friends on the way home.
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Busy weekend, but mostly good.

Saturday night my Mystery Hunt team did a trial run of a new software setup for solving the Hunt remotely, and it was so, so good to solve puzzles with those awesome people again. Our software setup is going to be a bit convoluted- because of feature compatibility with our custom puzzle tracker, we're using slack for text chat and discord for voice chat- but solving puzzles together with the discord voice chat was so much fun and it felt like a pretty satisfying percentage of the actual experience of solving a puzzle in person with Palindrome, though we'll see how that scales to the actual Hunt. Even though it's going to be frustrating to have to log off for Shabbos (normally when I'm on-site, I can still help with puzzles over Shabbos by looking over someone's shoulder or doing physical puzzly stuff like runarounds that doesn't involve writing), I'm really looking forward to Hunt now. We did some more puzzling Sunday night, not because we needed the testing, just because we wanted to keep working on puzzles together.

For new people, the MIT Mystery Hunt is a puzzle competition that's taken place at MIT over their winter break for the past forty years, whose objective is to solve puzzles revealing where a coin has been hidden somewhere on MIT's campus. It started as a challenging but relatively constrained set of puzzles, but over the past decades it has evolved into a massive undertaking drawing thousands of people to MIT to solve typically ~150 inventive and challenging puzzles over the course of a weekend. Puzzles span the gamut from crosswords to jigsaws and feature many unique puzzles types developed just to challenge the people who come to Mystery Hunt- "Chaos" puzzles involve teaching yourself the grammatical features of an invented language in order to find the hidden clues in a text in that language, "Duck Konundrum" puzzles involve following elaborate step-by-step, deliberately obfuscated instruction sets to find clues revealed by the instructions.

I've been competing at the Hunt on and off since 2006, and I felt a mixture of sadness and relief when the news came out this summer that Hunt would be going remote. Obviously it is not safe to host a massive puzzle competition right now, and I am very glad that the organizers are acting responsibly while still offering a puzzle competition. But I am going to miss the experience of being on campus for Hunt.





There was also a big staff meeting for Discon 3 on Sunday, discussing possible changes to the convention's timing. If you are considering going to Worldcon next year, either virtually or in person, please fill out this survey. They are trying to get as much input as possible before making a very difficult decision.

Survey on changing the date of Discon 3



And in and amongst all that, I worked a full day on Sunday, on a side project my boss is very hopefully may become my main project sometime next year.

I have fallen a few days behind on Daf Yomi as a result but will start catching up tonight, and writing up the dafs I have learned.

Discon 3

Dec. 1st, 2020 11:49 am
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I don't know if I mentioned it here, but I got frustrated with ConZealand's fanwork programming, so I sent an angry note to Discon 3's programming lead pleading with them to do better, which led to me being put on Discon's program brainstorming staff. I have been enjoying it and I am hopeful for a more diverse and interesting fanwork program schedule that will actually feel like it's designed for fanwork fans instead of treating them as outsiders. Of course, Discon is up in the air in a bunch of ways right now because of Covid and hotel uncertainty, but we're hoping to have more clarity on that soon, and in the meantime we're planning for multiple kinds of convention experience.

If you have ideas of things you'd like to see, please let me know.
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Worldcon Day 5

I got back in time for the panel on fanfic, which was about as good as could be expected given the constraints of the panel topic. Good, smart panelists talking about an only moderately interesting subject. There's so much more interesting that can be said about fanfic, but I am preaching to the choir here.


Afterward I spent the next four or hours in various virtual bars and parties, videochatting with other fans and pros. These have definitely been the best part of the con for me. I drank a lot of whiskey and I filled a bookmark folder with so many recommendations and interesting historical factoids and games and academic papers to read because everyone had such interesting things to say and everyone was coming from such a different perspective.

In spite of the drinking I woke up early, took a nice leisurely bike ride because it was too damned hot to push myself, watched some replays of earlier panels from the con including a great one featuring Cory Doctorow and Ada Palmer talking about the history of censorship, and then caught a couple of ConZealand Fringe panels, including "There Was Only One Panel", which was a really fun watch.

And that was the end of my Worldcon. It was not anything like being at a Worldcon in person, but it had some really good moments and I think on the whole I am glad I decided to participate, even though there are things I am also really frustrated and angry about.
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Worldcon Day 4

I got home from work, cooked Shabbos dinner and watched a livetweet of the shortest WSFS business meeting in history, then I figured out how to cast the Hugo Awards ceremony to my TV and settled in to watch. I followed the main chat on the discord and also had open a chat window with [personal profile] cahn and got ready to enjoy myself for the first hour, only to have the slowly dawning realization that the awards were a disaster.

It wasn't the technical issues. The virtual ceremony was a mixture of live streaming and pre-recorded video, and people were concerned beforehand about problems with execution, but while there were a few problems, for the most part the video stream was just fine.

The problem was George RR Martin, serving as emcee in his role as ConZealand toastmaster. His pre-recorded segments were rambling and ill-judged, full of self-aggrandizement and false modesty, and even more damningly, full of encomiums to racists, fascists, and sexual abusers like John Campbell, Isaac Asimov, and Harlan Ellison. He refused to use the name Astounding Award and instead offered at nauseating length a series of fawning stories about the way that Campbell had influenced himself and the genre. After I signed off, the Hugo electorate gave Jeannette Ng a second Hugo for her speech last year in which she reminded everyone that John Campbell was a fucking fascist and it was wildly insulting to the young, diverse voices in the SFF community to give them an award with his name on it. Clearly Martin was okay with continuing to insult those young voices. Clearly he wanted to, because this was a prerecorded segment and the whole thing was premeditated. And clearly ConZealand was okay with it, because it was prerecorded and they must have had an opportunity to veto those segments that they didn't approve of.

The internet doesn't seem to be giving it quite as much attention, but Harlan Ellison and Isaac Asimov were sexual predators and the way Martin spoke about them without mentioning that was offensive as well.

It's startling to imagine Martin thought he could pass this off. If he were doing it live, the boos would have drowned out his speech within the first ten minutes, it escapes me why he thought that the virtual audience meant he could get away with it.



I just... I wish I weren't so invested in Worldcon, because it gives me so many reasons to give up on it and try to invest more of my time in fannish communities that aren't so frequently disappointing.
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Worldcon day 3

2022 Worldcon site selection was announced. It will be in Chicago, not in Jeddah. Chicon 7 was my first Worldcon and I hope to return to Chicon 8.

I went to a panel on D&D featuring Cat Rambo, Paul Weimer, and Sascha Stronach, which I enjoyed. They talked a lot about D&D's position within the overall ecosystem of rpgs and how you can take best advantage of the good parts of D&D and borrow from other systems to deal with its shortcomings, and it was helpful stuff to think about as someone who is pretty consciously running a D&D campaign that does not play to D&D's strengths.

That was the only panel I went to. I then had dinner and spent the rest of my evening on video chat, in the 'virtual bar' and in some of the convention bid parties. It was fun to talk to fans from all over the world and see how life is different for everyone, and also just listen to everyone being geeky together. [personal profile] morbane and [personal profile] cahn poppped into the bar for some time, it was good to talk to them a bit! I liked [personal profile] morbane's AO3 mug.
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Second Day of Virtual Worldcon:

I watched Becky Chambers read from her upcoming fourth Wayfarers novel while eating my seudah mafseket, and then didn't do any more con. I enjoyed the reading but it was a little hard to get into, it was an early passage that gave charming portraits of life in a galactic commonwealth with many different sentient species that are comfortable interacting with each other but aware of their differences, as one would expect from a Chambers novel, but it didn't give away any of the plot. According to Chambers, this book starts right after The Long Way to a Small Angry Planet ends, so in parallel to A Closed and Common Orbit.
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First day of Virtual Conzealand was fun!

I ate dinner while watching the Opening Ceremony, featuring nice pre-recorded videos from the various guests of honor.

The first panel I attended was on the possibilities of a Hugo for Best Video Game or Interactive Experience, about which I remain somewhat skeptical in spite of all my actual objections being well answered by the panelists. The award proposal is clearly well-thought out and well-designed and any obvious problems with an award like this have been thought out. And yet...

Then I hung out on discord in both chat and some casual video hangouts for a while. The discord has a virtual bar and virtual cafe with various 'tables' and a 'hallway' for popping into and video chatting. And I feel like much more than panels, that was the experience the people I talked to were searching for on the first day of Worldcon- how can I reproduce the most important part of Worldcon, seeing my friends from all over the world and meeting new people from all over the world and having conversations with them about fandom and life? I think we're still figuring it out, but I had some good conversation.

Then I went to a kaffeeklatsch with Gillian Polack, whose fiction I have not yet read. But I really liked her on a panel at Dublin Worldcon about Jewish fantasy, so I decided to join, and had a good time. She's a medievalist by training and talked a lot about wacky medieval history stuff, how to insult people in old French, and about her upcoming book pulling together medieval Jewish legend with portal fantasy and superhero mythos, which sounds awesome.

By this point it was mid-afternoon in New Zealand, but around midnight in my time zone. I popped into the DC 2021 zoom party for a few minutes and then went to sleep.
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Worldcon plans, in general:

I am working this week, a 9-5 schedule on Eastern Daylight Time, so I am not going to be able to timeshift myself to participate in the con on its New Zealand schedule. But I'll be catching programming when I can in the evenings and on Sunday. There's a few panels this evening I want to catch, and I'm signed up for a kaffeeklatsch tonight with Gillian Polack.

Tomorrow night is erev Tisha B'Av, so I'm probably not going to tune into much con stuff, but I figure to be back on Thursday night. Saturday night will be the con's only panel on fanfic, and Sunday afternoon will be the Fringe panel on fanfic.

I'm not sure how much of the Hugos I'll be able to catch live. They start at 7PM Friday for me, when I will no doubt be frantically finishing getting ready for Shabbos.

I'll also be spending time in the Discord, I'm on discord a bunch anyway. Feel free to poke me there if you want to chat.

It's the first virtual Worldcon, an event whose existence is so tied to physical geography that the very idea seems ridiculous. I'm looking forward to getting as much enjoyment out of it as I can, and hoping desperately that next year's con will be able to run safely in person.
seekingferret: Text says "Kevin Says You Didn't Win a Hugo" (kevin says)
Delighted to see that Conzealand Fringe, a small unofficial group of panels organized to supplement Conzealand's official program on European time, includes this wonderfully trolly panel title:

"And There Was Only One Panel: The Joy of Fanfic, or Squeeing About Our Favorite Tropes"

Panel is to be Sunday 6PM British Standard Time.
seekingferret: Text says "Kevin Says You Didn't Win a Hugo" (hugo awards)
It's hard to be too critical of ConZealand programming given the absurd circumstances under which they are undertaking the convention. And yet... :P

File 770 reports about criticism the con is facing for unequal and poorly arranged programming allotment for Hugo nominees, which seems to have as usual disproportionately affected minority Hugo nominees in a variety of ways. The con has already responded, making at least some effort to try to correct course, to their credit, but this is not the first time we've seen issues like this.



Meanwhile, my own personal bugaboo about Worldcon programming.

A Complete List of all Fanfic/Fanworks Related Programming on the Worldcon schedule

1. What Fanfiction Can Teach Genre Writers

Fanfiction’s popularity continues to grow, tapping into the special creative connection between authors and fans. What is it about this literary nexus that is so fascinating and stimulating for fans? And what might authors have to learn from fans who write it?


...


...



Yes, that's the whole list.


WE GAVE THE AO3 A HUGO LAST YEAR!!! IT WAS KIND OF A HUGE DEAL! WHY DOES WORLDCON PROGRAMMING CONTINUE TO THINK THAT FANFIC WRITERS AND READERS ARE SOME OTHER PEOPLE AND NOT AN INTEGRAL PART OF WORLDCON FANDOM? WHY DO THEY THINK THAT FANFIC IS ONLY WORTH TALKING ABOUT IN CONTEXT OF ITS RELATION TO ORIGINAL FICTION AND PRO AUTHORS?


Edit:

Oh, shit, I went back to my post about this from last year, and this is just a recycled panel description from Dublin with new panelists. WTF, Worldcon?
seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
I have submitted my site selection ballot for the 2022 Worldcon. It involved two different log-ins to different sites both run by Worldcon NZ, it involved filling out a PDF and typing in my Worldcon 2020 member ID from one site and my voting payment PIN from the other site, and then saving and emailing the PDF to another email address, but I have done it.

It really shouldn't be this complicated. I know people have talked some about amending the rules moving forward to make electronic ballots the primary option, and I support that, but I'm not convinced that the rules as they currently exist in the Worldcon constitution required quite the level of convolution we actually had. An https webform ballot integrated with payment processing seems like it could have met all the requirements in the constitution as long as paper ballots were still accepted as an alternative, for the small handful of stubborn people who would use it.

In any case, my concerns about Saudi Arabia as a host site are sufficient that it was important that I vote against it. I'm not sure we need another Chicago convention so soon, and the year after a DC convention, but Chicago is a fine city and I had a good time at Chicon 7.


Meanwhile, from the Worldcon Mark Protection Committee's official report in the Agenda for the 2020 Worldcon Business Meeting:

The headache caused by the nomination of Archive of Our Own (“AO3”) for Best Related Work only intensified after it won the award. We received many notices of items—e.g., “4.7 million fanfics are now Hugo winners”, "Everyone Who Contributed to Fanfiction Site “Archive of Our Own” Is Now a Hugo Award Winner”, and “The most talked-about win of the night was Best Related Work, which went to Archive of Our Own. Yes, all of it. So, if you’ve written fan-fic and posted it on AO3, you won a Hugo."—none of which is accurate or the intent of the award. At least one person tried to monetize having contributed to AO3 on a book cover. Our attempts to explicate that the award was for the creation of the website has, for the most part, fallen on deaf ears, and much of our year has been taken up with exerting exert legal pressure to have pins using our marks removed from sale on Etsy and Kickstarter. (Etsy at least has been responsive to our takedown requests in the past.)



I'm disappointed by this, I really had the impression that some people had gotten talked to about how their messaging about the AO3 Hugo was counterproductive and wrongheaded, but apparently they just decided that their whining fell on 'deaf ears' and waited to get in one last salvo.
seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
I am back home from Dublin and Worldcon! I didn't get to see anywhere close to everything I wanted to, and it was still an incredibly memorable and amazing week.

I got in Wednesday morning, wandered around Dublin for a while. I saw St. Stephen's Green, where I admired statues of Joyce and Rabindranath Tagore (!), I walked a bit of Trinity College's campus, walked alongside a bit of the Grand Canal. Then I crossed the Liffey to the bike rental shop to pick up my bike. I rode through Phoenix Park and then parked my bike at the Jameson Distillery for the tour. Afterward I crashed out in my hotel for a few hours and met a couple of Dublin native Worldcon newbies who'd posted on facebook that they were looking for teammates for a scifi pub trivia event at Dublin's geek bar. We placed sixth out of about twenty teams, after a rough start in the first round.

Thursday morning I biked out to Howth, which was amazing even though it fucked up my legs for the next two days. I got lost in Dublin's working port on my way out, which, oops, but once I got on the road I was supposed to be on it was a beautiful seaside ride and I had a great time.

Thursday afternoon I ran my first rpg of the con, the Zoo adventure. It was scheduled to start at 3PM, at 3:05 I was sitting at my table with zero signups... and then suddenly I had 5 signups and we blasted right into it. I had two veteran roleplayers and three newbies at the table and everyone seemed to have a really good time. I don't think Dungeon World served the adventure as well as 5E did, but it's such a rules-lite adventure that it didn't matter, and the Dungeon World rules took the story in some pleasantly unexpected directions a few times.

I've run the adventure three times... This marks the second time it ended in disaster when the players deliberately smashed the padlock on the Demonarium. WHO DOES THAT?

Thursday evening I met a non-Worldcon friend for dinner and then spent some time at the DC in 2021 party.

Friday morning I did the stroll with the stars and then spent the rest of the morning at the business meeting (grr). Then I went to see the panel on Jewish fantasy, which involved Benjamin Rosenbaum, Laura Ann Gilman, Jenny Rae Rappaport, and Gillian Polack and was really satisfying and enjoyable even though I could talk about Jewish fantasy for much longer than 50 minutes. I caught Rosenbaum afterwards to talk more about Jewish fantasy and ended up going to lunch with him, his Danish translator, and some other friends. I don't really remember what I did the rest of the day... I guess I went to [personal profile] marina's panel on the Hugo BDP nominees and then made kiddush and went to sleep. There might've been another panel in there somewhere.

Saturday morning I went to the business meeting (grr). In the afternoon I went to three great panels: Naomi Novik on the panel on what genre writers can learn from fanfic writers, Seanan McGuire on a panel about how ridiculous plants are, and Brandon O'Brien, Afua Richardson, Rivers Solomon, and Maquel Jacobson talking about the concept of Afrofuturism.

Sunday, I went to a bit of the business meeting (grr), but left early to make it to the panel I was on about fanfiction and community. It was so much fun! Great co-panelists who listened carefully to each other, an enthusiastic audience, and I really appreciated that I could drop fanfic jargon and not have to explain myself. Worldcon is capable of doing so much better than it does at having transformative fandom programming- the audience is so clearly there for it.

Then I had lunch with [personal profile] such_heights and [personal profile] raven and [personal profile] soupytwist, where we talked about vids and the mundanity of MI6, and then I got to facilitate Benjamin Rosenbaum's A Dream Apart, which was sooooo much fun. I developed a Shabbos-friendly variant using a magnetic board for mapping, and that worked out really well. It was mostly just satisfying to be able to tell Jewish fantasy stories in a way that felt natural.

Afterward, the Hugos. The auditorium was not big enough for the con, so they were distributing wristbands earlier in the day for all major events. I'd missed the window to get a pass, but there was a desperation queue an hour or so before the event to pick up any wristbands turned in by people who realized they weren't going to use them, and I lucked into a pass after waiting 45 minutes. I do not regret the wait- the Hugos were so fun and memorable, from Jeannette Ng's fierce anti-Campbell speech to Naomi Novik's inclusive acceptance speech on behalf of the AO3. I finished the night with another round of SF pub trivia, this one organized by the group that hosts the Satellite convention in Glasgow.

Monday morning I caught [personal profile] marina's presentation on women writing war SFF, focused on contrasting Lowachee's Warchild, Novik's His Majesty's Dragon, and Hurley's God's War against the classic tropesetting war SFF novels of Haldeman, Heinlein, Tolkien, Martin, and others.

I then called it quits for the con. I took the train out to Sandycove to see the James Joyce Museum and Tower, located in the Martello Tower where Joyce had lived for about a week, and where he therefore located Stephen Dedalus for the opening chapters of Ulysses. Afterward, I laid low in my hotel room vidding and reading and watching TV until my flight the following morning. It turns out they have Schitt's Creek Season 5 on Irish Netflix!
seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
My flight to Dublin is tomorrow! I am extremely excited. Unless there is plane fuckery; I already see thunderstorms projected for tomorrow evening.


There are way more things I want to do than time, but such is the way of Worldcon. I have a much shorter list of things that I absolutely must do, topped by running my fantasy zoo adventure as a Dungeon World module, running Benjamin Rosenbaum's fantasy shtetl rpg A Dream Apart, being on the panel on fanfic and community, attending a few other must-see panels, going to the Hugo Awards, doing some James Joyce tourism, and seeing some friends. Everything else is just a bonus on top of that.


Also gosh I just really need this vacation.

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seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
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