Dead Beat by Leigh Bardugo
Ostensibly the finale of Bardugo's Ninth House trilogy, about Alex Stern and her unlikely gang of allies fighting demons and demon worshipers at Yale. I've been anticipating this book since I finished Hell Bent, and was sort of counting down the days until my hold in Libby came in. I devoured it in about three days, and find myself largely satisfied by the ending of the series, though I would not be shocked if Bardugo ended up writing more in this world, she's certainly left herself room for it.
The usual pleasures of the series were there in abundance, the rich reinterpretation of the geography of New Haven and Yale's campus, and the morally complicated relationships between neo-adults trying to figure out who they are in a world that can be all too uncompromising and unforgiving of mistakes or false steps. There is a lot of bleakness in this book, a lot of time where the demons win, a lot of people making choices they can't undo. But there is also a rich sense of community and the propulsive force of people making hard choices to make the world a better place. Tikun Olam.
The Ninth House, Lethe, is inspired by the mansion owned by the Yale society Shabtai, "a global Jewish leadership society" on campus that Bardugo has scrubbed of its overt semitism without totally erasing that pervasive sense of outsiderly Mission that often animates Jewish organizations in non-Jewish places. In a lot of books where an unlikely, unsupported, unqualified cohort ends up uncovering a secret evil to fight, the story features a lot of dithering before the final battle between good and evil. Setting aside the question of which side is good and which is evil in Dead Beat, there is no dithering. The way in which the Lethe team keeps making plans and then trying to execute them keeps the story moving with inexorable flow.
It is, as is usually the case with Bardugo, extremely compelling storytelling. Everyone is likeably unlikeable, from the frat boy vampire to the self righteous lightly psychic cop, and I think this book does a nice job of giving closure to some of the other Yale students whose narratives were fleshed out in Hell Bent. Mercy Chao gets some really good moments here, some of the members of other secret societies get fascinating exploration.
The best fight scene in the book gives Pamela Dawes of all people a moment to shine. As much as Alex Stern is the focal center of these books, and this book definitely gives some answers to her key identity mysteries, this book is about the ensemble and its growing sense of teamwork. Yale is not an institution you can fight alone.
Ostensibly the finale of Bardugo's Ninth House trilogy, about Alex Stern and her unlikely gang of allies fighting demons and demon worshipers at Yale. I've been anticipating this book since I finished Hell Bent, and was sort of counting down the days until my hold in Libby came in. I devoured it in about three days, and find myself largely satisfied by the ending of the series, though I would not be shocked if Bardugo ended up writing more in this world, she's certainly left herself room for it.
The usual pleasures of the series were there in abundance, the rich reinterpretation of the geography of New Haven and Yale's campus, and the morally complicated relationships between neo-adults trying to figure out who they are in a world that can be all too uncompromising and unforgiving of mistakes or false steps. There is a lot of bleakness in this book, a lot of time where the demons win, a lot of people making choices they can't undo. But there is also a rich sense of community and the propulsive force of people making hard choices to make the world a better place. Tikun Olam.
The Ninth House, Lethe, is inspired by the mansion owned by the Yale society Shabtai, "a global Jewish leadership society" on campus that Bardugo has scrubbed of its overt semitism without totally erasing that pervasive sense of outsiderly Mission that often animates Jewish organizations in non-Jewish places. In a lot of books where an unlikely, unsupported, unqualified cohort ends up uncovering a secret evil to fight, the story features a lot of dithering before the final battle between good and evil. Setting aside the question of which side is good and which is evil in Dead Beat, there is no dithering. The way in which the Lethe team keeps making plans and then trying to execute them keeps the story moving with inexorable flow.
It is, as is usually the case with Bardugo, extremely compelling storytelling. Everyone is likeably unlikeable, from the frat boy vampire to the self righteous lightly psychic cop, and I think this book does a nice job of giving closure to some of the other Yale students whose narratives were fleshed out in Hell Bent. Mercy Chao gets some really good moments here, some of the members of other secret societies get fascinating exploration.
The best fight scene in the book gives Pamela Dawes of all people a moment to shine. As much as Alex Stern is the focal center of these books, and this book definitely gives some answers to her key identity mysteries, this book is about the ensemble and its growing sense of teamwork. Yale is not an institution you can fight alone.